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Тhe voice of minaret

Тhe voice of minaret
Тhe voice of minaret


Minaret news,BG

Тhe voice of minaret

Тhe voice of minaret
Тhe voice of minaret

понеделник, януари 05, 2009

Rap, Hip Hop, and the Palestinian Struggle

By Art & Culture Team


Click here to see "Meen Erhabi" or "Who's the Terrorist?"

Who’s the terrorist?

I’m the terrorist?!

How am I the terrorist

When you have taken my land?

Who’s the terrorist?

You’re the terrorist!

You have taken everything I own

While I’m living in my homeland

Dam (Arabic for "blood") is a Palestinian hip-hop/rap group. Dam is composed of Tamer Nafer, Suhell Nafer and Mahmoud Jreri, who started performing rap in 1999 and ever since then, their increasing popularity has made them the leading Palestinian rap group.

The three were all born in the slums of Lod, a mixed town of Arabs and Jews, 20 km from Jerusalem. Their songs reflect the ongoing Israeli-Palestinian conflict as well as by the Palestinian struggle for freedom and equality. They are also interested in such controversial issues as terrorism, drugs and women's rights.

Their music is a dynamic combination of eastern and westerns tunes that use Arabic percussion rhythms, Middle Eastern melodies, and urban hip-hop.

Slingshot Hip Hop

Their uniqueness and growing popularity around the world has recently put them under the spotlight. They have participated in various films and events.

Lately, they became the subject of director Jackie Salloum's documentary, Slingshot Hip Hop, that was screened at the Sundance Film Festival on the emerging Middle Eastern music scene.

The film offers a peek into contemporary life in Israel, the West Bank and Gaza, as well as Middle East hip hop culture inspired by the political rants of US rappers such as Public Enemy, Tupac Shakur, and Eminem.

It also features two rap figures, Rapper Mahmoud Shalabi from the village Akka, and female hip hop duo Arapeyat, along with highlighting the work of the group Palestinian Rapperz (PR) among others.

Slingshot Hip Hop presents an alternative form of resistance against Israeli occupation and reinforces entrenched Palestinian views of pre-1948 history.

Positive Message

"When I visit my family in the West Bank, the situation just gets worse and worse. But these rappers gave me hope," Salloum said in an interview with Agence-France Presse (AFP).

In the documentary, the rap artists encounter crushing poverty, difficult cultural boundaries, daily border checkpoints, and other obstacles.

"They're also always broke," Salloum said. "It took them five years to make an album, they're struggling financially, and there is no music infrastructure available to them," she said.

"Hopefully, that will change."

The filmmaker said the different rap groups often bring positive messages to youth, encouraging them to express their anger through rhymes, not violence.

Although they are not topping the charts in Israel, they have attracted a small, leftist Jewish fan base. "It's still underground, but it's getting through," said Salloum.

By embracing rap "a form of music that is among the most popular around the world, the music of the oppressed and the marginalized, it's easier to sell their message to young Palestinians," Salloum said.

Salloum first heard Palestinian hip hop on the radio, the song "Meen Erhabi" or "Who's the Terrorist?" by Dam, which launched the group's stardom in the region.


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